Motherhood and Sexuality in Flaubert's Madame Bovary

Amanda Kane Rooks
2014 CLCWeb  
Volume 16 (2014) Issue 3 Article 8 M Mothe other rho hoo od a d and S nd Sex exualit uality in F y in Fl la aub ube er rt t' ' s M s Ma ad da ame B me Bo ov va ar ry y A Am ma and nda K a Ka ane R ne Ro ook oks s Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine,
more » ... other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies. Abstract: In her article "Motherhood and Sexuality in Flaubert's Madame Bovary" Amanda Kane Rooks examines the narration of relationships in Gustave Flaubert's Madame Bovary between Emma's role as mother and her sexuality. Rooks argues that this narrative relationship provides a space where the association between the oppressions of motherhood and women's sexuality can be better understood. Further, Rooks posits that Flaubert's narrative condemns the nineteenth-century Western predilection for constructing a relationship of mutual exclusivity between motherhood and sexuality, while it exposes socially sanctioned performances of motherhood and sexuality as allied, perverse manifestations of the same repressive ideological system.
doi:10.7771/1481-4374.2415 fatcat:qbbsdbxm6rcsngtxdoczfs6wzi