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Kanye West represents a myriad complex trope of issues for not just Black Theological praxis, but also for the broader study of Black people. In this post-civil rights era we, as Black people, find ourselves in a locality that is neither post-racial nor public Jim/ Jane Crowism; neither fully equal nor fully separate; not fully human yet celebrated in full, for culture and entertainment; it is an era that contains all the elements of hope and forward momentum in the symbol of what is thedoi:10.7916/btpp.v1i1.479 fatcat:sugborivpfbc3jnryhgcy7o4ga