In what might be called an extreme form of tokenism, memory sites devoted to the figures of outstanding Romani musicians, including public statues, began to appear in public urban spaces in fin-de-siècle and interwar Hungary amid the growing oppression of Roma by authorities. This article investigates, by focusing on case studies from Budapest in the interwar period, how public representations of Roma in the cultural spaces ofdominant society, though apparently inscribing diversity in the

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... al narrative, were involved in the hegemonic practices of the time. The complexities of the interplay between inclusion in the symbolic realm and oppression in the social one are best illuminated when looking at the social and political uses of these urban landmarks.