Tortured Silence and Silenced Torture in Mario Benedetti's Pedro y el capitán, Ariel Dorfman's La muerte y la doncella and Eduardo Pavlovsky's Paso de dos

Nancy J. Gates-Madsen
2008 Latin American Theatre Review  
doi:10.1353/ltr.2008.0037 fatcat:lphmzjyalvd2vfgoswdvvdpjpy