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This paper attempts to read Manjula Padmanabhan's play Harvest under the humanist scanner of the Visible Human Project (VHP). The VHP not only dilutes the distinction between living and non-living bodies, the project in turn metamorphoses human substance into bio-graphics. Appropriating the bodies of the not-fully-humans and converting them into medical offerings and sacrificial objects are aspects visible both in the field of VHP and the ever-expanding arena of organ 'donation'. However,doi:10.5281/zenodo.3712884 fatcat:u4twcx2pvjgnxkdqafs257qica