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The paper presents an analysis of a process of artistic development from a creativity-theoretical perspective. The case is the Regional Theatre Network in Central Denmark, which – during a one-and-a-half year period–has radically redefined its approach to the development of performing arts, from focusing on co-producing content to focusing on organising brief bursts of participatory inspiration creation. I artiklen "Udvikling=kreativitet? Scenekunstnerisk udvikling betragtet som en kreativdoi:10.7146/peri.v9is4.110578 fatcat:rjseewv5hrgehog7gxlyqz6hua