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This Thesis discusses the development of technologies for the automatic resynthesis of music recordings using digital synthesizers. First, the main issue is identified in the understanding of how Music Information Processing (MIP) methods can take into consideration the influence of the acoustic context on the music performance. For this, a novel conceptual and mathematical framework named "Music Interpretation Analysis" (MIA) is presented. In the proposed framework, a distinction is madearXiv:2205.00941v1 fatcat:nnbfvywdyjgtfcapfq4nn2c3bq