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The essay investigates how the Bauhaus theatre fits within the avant-garde chapter recovering the concept of "shadow" and which innovation elements of the Bauhaus are present in contemporary stage experimentation. Everything starts from the shadows. In fact, the return to the shadow theatre assumes, in the context of the Bauhaus, the same value that in the field of cinematographic experimentation meant focusing on the frame: 1) the elimination of any ornamental and superfluous element; 2) thedoi:10.14273/unisa-3369 fatcat:jirjtya7cnfanodv3h22dznbti