Television violence shows some patterns generally accepted by the receiving society. The broadcasting of a violence episode or of an aggression is always seen in context in such a way that it gets to the viewer already evaluated in a positive or negative form. This evaluation shapes some characteristic and differentiated legitimatory patterns that we have tried to identify, using a sample of 140 15-minute random television extracts, distributed to the five conventional television channels that

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... an be seen in the Madrid area (Spain), to qualitatively analyse the different legitimatory patterns of television violence. The evaluation of violence and the very naming and qualification of violent acts needs three elements: aggressors and victims presentation; evaluation of harm and of the consequences of time action; and the qualification of the action. In television broadcasting there is a lot of violence legitimation, from no condemnation of it, to the explicit justification and even to the exaltation. The social acceptance of violence is observed mainly in non-realist programs, like films and series, but it is also presence in news and documentary programs. The legitimatory frames in non-realist programs are widen and less adjusted to the norms of conduct a constitutional state.La violencia en televisión muestra unos patrones que son generalmente aceptados por la sociedad que los recibe. La emisión de un episodio de violencia o de una agresión está contextuada de tal manera que al espectador ya le llega valorada de forma positiva o negativa. Esta valoración conforma unos patrones de legitimación característicos y diferenciados que hemos tratado de identificar en sus diferentes manifestaciones. Hemos recogido de forma aleatoria fragmentos de emisiones televisivas para analizar los diversos patrones legitimatorios de la violencia en televisión. La evaluación de la violencia necesita de tres factores que son la presentación de los agresores y las víctimas, la apreciación del daño y las consecuencias de la acción y [...]