THEORETICAL REPRESENTATION OF THOUGHT AS AN ENDOPHASIC FORM OF SPEECH IN THE MODERN ENGLISH MILITARY NOVEL
ТЕОРЕТИЧНЕ ПРЕДСТАВЛЕННЯ ДУМКИ ЯК ЕНДОФАЗНОЇ ФОРМИ МОВЛЕННЯ У СУЧАСНОМУ АНГЛОМОВНОМУ ВОЄННОМУ РОМАНІ

Nadia Tsap, Lviv Polytechnic National University, Ivan Bekhta, Lviv Polytechnic National University
2020 Young Scientist  
The concept of thought in the mind is defined. It has been proven that inner speech in discourse helps to see the inner world of a character, which has an internally psychological character and is non-communicative. The purpose of inner speech–to convey the thoughts and feelings of the character, to reflect his inner world, which is a certain interpretation of the development of events, inner speech in the work of art. It should be noted that in the humanities, internal speech is considered
more » ... h is considered monologue, or rather thinking for oneself, addressing oneself, which is not intended for communication. As a result of the study, it was revealed that i ternal speech is speech, which is completely different from external, which is ahead of the connection between thought and word. The relevance of considering this object of research is in the fact that inner speech can be considered as a link between thinking and language. The aim of the article is to study the concept of thought representation as an endophase form of speech in a modern English-language war novel. The object of the research is determined by the character opinion in the modern war novel. The subject of the research is the definition and theoretical research of the concept of character thoughts an end-phase form of speech in a modern war novel. The study of inner speech is characterized by a variety of directions and ideas, in some cases they complemente a chother, in others theydiffer. The thought of thought asanendophasic form is a direct contact between language and thought - a literary way of transmitting speech. The transition from internal speech to external speech is a rather complex dynamic transformation, a change in the individual sound, semantic and syntactic structure of internal speech into a structural form of external, understandable for everyone, language. It was determined that in a work of art, inner speech is used as a technique for conveying the thoughts and feelings of a character, a reflection of his inner world, is a certain interpretation of the development of events, inner speaking. An important aspect is direct, indirect and improperly direct speech, thought in conjunction with non-verbal means of textual communication, linguistic unconsciousness and emotions and actions in forming the opinion of textual interlocutors.
doi:10.32839/2304-5809/2020-11-87-108 fatcat:qhiwtcvpqnevpe6rtl3qsms73i