Film, Identity and the Marshrutka [article]

Andrey Makarychev, Nicholas Wondra, Jeronim Perović, Robert Orttung, Hans-Henning Schröder, Stephen Aris, Matthias Neumann, Heiko Pleines
2010
This article examines how recent Russian films about World War II play with traditional Soviet narratives of the war. Rather than simply repeating themes of the victorious Soviet Union and the defeated aggressor, the films examine topics with much greater nuance, including an Orthodox priest who is forced to collaborate with the Nazis, young Russian criminals coerced into fighting, and people who fall in love with someone from the other side. Ultimately, these films shed light on a complex and
more » ... t on a complex and evolving post-Soviet Russian identity.
doi:10.3929/ethz-a-006284576 fatcat:l7biofow25do5aucg53ddpt2za