POSTMODERN VIOLENCE IN THE NARRATIVES OF HAROLD PINTER

Neelam Hooda, Samuel Beckett, Eugene Ionesco, Jean Genet, Arthur Adamov, Harold Pinter, Pinter
2015 An International Refereed e-Journal of Literary Explorations August   unpublished
The term postmodernism is generally reflective of a skeptic attitude adopted towards the high-sounding liberating claims made by the enlightenment theories and an upright attitude of modernism; both of which were rendered fruitless in the aftermaths of two World Wars that ragged the world and resulted in unprecedented violence and atrocities like Holocaust and Hiroshima. Instead of representing a narrative that is marked by any linear progression, postmodern works shift its attention towards
more » ... depiction of unflinching pessimism. In order to cast doubt on the meaningfulness and purposefulness of life it often foregrounds the hideous side of it by demonstrating the curses such as violence. In that gloomy atmosphere post war genius made its way through some avant garde forms and one prominent voice was articulated through 'The Theatre of the Absurd', a term coined by Martin Esslin (1961) in which he categorizes
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