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We gon' be alright : Kendrick Lamar's criticism of racism and the potential for social change through love
2016
This thesis explores Kendrick Lamar's criticism of institutionalized racism in America and its damaging effects on African-American subjectivity on his albums Section.80, Good Kid M.A.A.D City and To Pimp a Butterfly. The albums address the social implications of racism in the present day, throughout Lamar's life and throughout the lives of his ancestors. In my analysis of Lamar's albums, I address the history of American chattel slavery and its aftermath as a social system that privileges
doi:10.14288/1.0300649
fatcat:kv2dqg4vvjcxzbl53brzkbmyia