Bird in the wire: creativity, resistance, networked citizenships

Sam Cleeve
2017 Digital Creativity  
Bio: Sam Cleeve is a doctoral candidate at the Birmingham Centre for Media and Cultural Studies (BCMCR) at Birmingham City University. With a background in musicology, his research follows two general trajectories: music and digital culture, with a special emphasis on the spatiotemporal dimensions of emergent technologies such as virtual reality, and post-structuralist approaches to musical analysis, usually directed toward twentieth-century art, experimental, and popular musics. Previous work
more » ... n the latter category has been published by Perspectives of New Music. He holds degrees in musicology from the University of Oxford (MSt) and the University of Birmingham (BMus). Abstract: This paper contemplates the extent to which online music making and sharing practices can be understood as acts of creative citizenship. While the digital is often lauded as mechanism by which citizens may engage creatively with local or national communities, this paper contends that it may equally represent a means for disengagement with those groups, by instead facilitating participation in the transnational, diasporic communities that have long prospered on the Internet. Possible motivations for this are multifarious and context-dependent, but often signify an act of resistance: against artistic and commercial institutions, against creatively oppressive states, against the cultural isolation of an immediate environment. This paper holds that this type of digitally-mediated creative engagement-that which arises as a specific reaction to a perceived inadequacy in one's civic life-might be best understood through the lens of creative citizenship. In order to assess the relationship between online creative communities and their offline counterparts, it employs the framework of 'networked individualism' (Castells 2001; Wellman et al. 2006; Raine and Wellman 2012) , and contextualises its ideas by referring to recent studies in online amateur music-making in Iran, where the digital is often regarded as a way of circumnavigating the creative oppression of the state.
doi:10.1080/14626268.2017.1290660 fatcat:ptx2ftmh3vfe3csolht5ifmdry