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The Ghost in the Cinema Machine
2017
Ekphrasis: Images, Cinema, Theory, Media
The main purpose of this paper is to overview the differences between various embodied experiences we, as users, can have when interacting with contemporary visual media. By using the concept of modes of imagination, the author is approaching the problem of media specificity from another perspective. Using the four different "Ghost in the Shell" narratives as a coherent case study, the paper discusses the different modalities in which the most important categories of contemporary visual forms
doi:10.24193/ekphrasis.17.2
fatcat:h2mgvehpyrhljeivy3uc3vjmn4