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The Robber Bride: a Dystopian Female World in Margaret Atwood's Mythology
2015
[sic]
The aim of this paper is to show how Atwood's reformulations of myths contain hidden political messages from ancient and modern history and can be interpreted from Fredric Jameson's views on 'symbolic acts,' discourse and the ideology of form. Several scholars have explored the symbolic relationship between the three major protagonists in The Robber Bride and fragments of the omnipotent image of the Neolithic deity the White Goddess. As the symbolic counterparts of Diana, Venus and Hecate in
doi:10.15291/sic/2.5.lc.4
fatcat:qypfjx4bu5fo7pn6xe2luln7li