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Freedom and torture: the new architecture of domination and refusal. The aesthetics of refusal and architectural atavism
2020
Since 1963, artists Shusaku Arakawa and Madeline Gins have attempted to realize a body made immortal by reskilling its habitual experience of architecture. Their project to "reverse destiny" entails the affective recompositioning of social forms via cognitive, sentient, perceptual and proprioceptive crosstraining exercises conjoining the body and architecture. They have garnered accolades from artists, critics and theorists drawn by their ambition to transform the habits that take life away
doi:10.34632/comunicacaoecultura.2013.5117
fatcat:wlpgrukzrrb67blbsdgniccm6y