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AbstractIndonesian author Eka Kurniawan achieved huge critical success globally during 2015–2016 with his translated novels Beauty is a wound and Man tiger, which have been praised for their sweeping historical scope, 'magical realist' elements, and experimentation with voice and genre. First published in the Indonesian language more than a decade earlier as Cantik itu luka and Lelaki harimau, these novels initially faced a relatively lukewarm reception locally. Only once Eka Kurniawan's workdoi:10.1163/22134379-17502019 fatcat:2vooaos3cnbgzd2gf4yuslmjqm