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The paper is an attempt to present the ways of verbalization of emotions in Russian critical texts. The material shows examples of verbalization in two aspects of analysis: in first part the material has been divided into five groups and focused on the grammatical characteristics of the examples, in second part the author of the article attempts to compare the descriptions of emotions written in music score with examples of verbalization used in critical texts on music. The studied materialdoi:10.14746/strp.2019.44.1.32 fatcat:dootokbwjvcollhga6fdh2wifi