The late medieval illustrated Jerusalem travelogue by the Franciscan friar Paul Walther von Guglingen has heretofore received scant scholarly attention, perhaps owing to the unusual nature of some of its images. Guglingen charts decidedly Islamic spaces with his maps and plan, instead of the conventional sacred shrines of Christianity; these topographical features are interlaced with personal travelling experiences. Illustrations of flora and fauna encountered along the way are the result of

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... eful observation, and meticulous recording. The author experiments with forms to visually represent his own lived experience. In all cases, text and image are closelyintertwined and testify that non-religious aspects form a legitimate aspect of this pilgrimage account. Consideration of the illustrations in Guglingen's Itinerarium, alongside, for example, those in the travelogue of his famous travel companion Bernhard von Breydenbach, allows us to illuminate more facets of the late medievalpilgrimage experience.