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The extraction of pitch information is arguably one of the most important tasks in automatic music description systems. However, previous research and evaluation datasets dealing with pitch estimation focused on relatively limited kinds of musical data. This work aims to broaden this scope by addressing symphonic western classical music recordings, focusing on pitch estimation for melody extraction. This material is characterised by a high number of overlapping sources, and by the fact that thedoi:10.1080/09298215.2016.1182191 fatcat:wghx4laykjg5vehzw2dkavp4iy