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The Counter-Cultural Online Frontier-Or the Quest for Mythological Balance through Eternal Movement
unpublished
This article grows out of a general interest in popular music and its connected practices-in relation to notions and theories of consumption and/or use, as well as a more specific interest in the movement of such practices unto a new ten-ain via the Internet. A different, but closely related area of concern, is the issue of how the various hi stories of popular music associated with the counter-cultural sixties are a part of this new tenain, histories which upon examination are found to involve
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