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The objective of this paper is to present the ideas of the film theoristAndré Bazin from the perspective of the research programs proposed by David Bordwelland relate them to the modes of representation in documentary filmmaking. Based on theconcepts of Nouvelle Critique and Dialectical Program, propose a reflection ondocumentary films and the theoretical nature of documentary filmmaking.doaj:c31e83ea92b249bbbedd5b6f2e9cea8e fatcat:hkrn4mfguzerrhts23tih2rdye