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The Curatorial Turn and Opera: On the Singing Deaths of Maria Callas. A Conversation with Marina Abramović and Marko Nikodijević
Sound Stage Screen
Marina Abramović is a conceptual and performance artist with a particular interest in the relationship between the artist and the audience. She is especially interested in exploring the extreme limits of her (the artist's) body. In recent years, she has nurtured these interests by restaging some of her earlier works of performance art. To chart some of the more important stages of her career I single out a few key works. In Rhythm 0 (1974) Abramović stood silent and motionless for six hours indoi:10.54103/sss16640 fatcat:qs4xgtyzrfbbda4xzxk6xmzvp4