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The paper aims to re-think the similar and contrasted parts of contemporary Sino-French diaspora through the extended perspective of Chinese self-image from the methodology of comparative literature, by analyzing the Post-colonialism and Marginal Discourse to Diaspora Discourse. How these diaspora writers/artists both acknowledge and challenge the attachment/memory in a diaspora framework as their cross-cultural identities? How the identity intended to eliminate the concept of national borders?doi:10.46827/ejlll.v5i1.256 fatcat:dehz2t7tlnd7bcmei3zyhrtw5i