Although ornament is typically understood to be a system of communication that operates representationally, this stance is problematic. While some ornament seems to represent disparate or even contradictory concepts, other ornament does not seem to represent anything at all. In both instances representation does not promote communication, it inhibits it. This thesis argues that while ornament may communicate representationally, its primary function is simply presentational. In this capacity

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... ment is used to communicate information regarding the qualities and relationships of material objects. The first half of the thesis engages with key texts and precedents in order to describe the mechanisms by which ornament is able to communicate. The second half of the thesis provides an example of how these mechanisms can inform the processes of architectural design. The thesis concludes with a reflection on the significance of ornamental communication and its role within the discipline of architecture. Ultimately, this thesis suggests that the practice of ornamentation not only helps us to define our world, but also to define our place within the world.