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Aesthetics, cultural identity and mass media: Portugal in the Eurovision Song Contest and the 'Lisbon 2018' design
2021
Revista de Humanidades
As a 'nation' competition represented by 'songs', The Eurovision Song Contest establishes continuous contaminations between both terms, which expose the complexities of the production of cultural identity through the spectacle. Due to its longevity and international audience, we will analyse it from an interdisciplinary frame (Aesthetics, Cultural Studies, Anthropology and Ethnomusicology) to value the image and design of the Contest as an identity machinery, focusing on one of the
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