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Georges Seurat, "Une baignade à Asnières"
1977
Since its completion in 1884, Georges-Pierre Seurat's "Une Baignade à Asnières" has been regarded in formal terms. The work has been seen as an important formal study, which is an only partially successful synthesis of his artistic antecedents: the subject matter, and to a considerable extent the style of the impressionists, modified by the artist's study of Delacroix's use of colour, the theory of Ogden Rood, and Ingrist and Puvean classicism. It is the contention of this writer that this
doi:10.14288/1.0094436
fatcat:5qpqej2fj5fgzafq72qzidrvz4