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This paper begins by stressing the need f'or a more critical approach to the work of Katherine Mansfield, accounts of which tend often to rely on purely biographical material. After discussing the relative failure of In a Germán Pensión, which is attributed to a want of focus in the narrative point of view, the essay goes on to suggest that, in the iater work, the twin techniques of highlighting and epiphany (the privileging of certain lyrical hioments of symbolic visión) enable Katherinedoi:10.14198/raei.1988.1.08 fatcat:w26v7hvserf3tf6mpit7unwao4