Grecian Climate and Greek Art

D. T. Ansted
1877 The Art Journal (1875-1887)  
Known as the Early Journal Content, this set of works include research articles, news, letters, and other writings published in more than 200 of the oldest leading academic journals. The works date from the mid--seventeenth to the early twentieth centuries. We encourage people to read and share the Early Journal Content openly and to tell others that this resource exists. People may post this content online or redistribute in any way for non--commercial purposes. Read more about Early Journal
more » ... out Early Journal Content at http://about.jstor.org/participate--jstor/individuals/early-journal--content. JSTOR is a digital library of academic journals, books, and primary source objects. JSTOR helps people discover, use, and build upon a wide range of content through a powerful research and teaching platform, and preserves this content for future generations. JSTOR is part of ITHAKA, a not--for--profit organization that also includes Ithaka S+R and Portico. For more information about JSTOR, please contact support@jstor.org. THE ART JOURNAL. to have attended the ' Leda' of Michael Angelo. Brought to France in the sixteenth century by Antonio Mini, it was frequently engraved, was mentioned in a catalogue of the " Wonclers of Fon tainebleau," published in I642, and was said to have been burned some few year-s later. But one authority declares that the picture was in existence at least a hundred years after the date of its sup posed clestruction. Be that as it may, M. Arsene Houssaye, about eight or ten years ago, purchased at a picture-sale at the Hotel Drouot some six or eight paintings, among which was the 'Leda' now under consi deration. Certain portions of this last struck M. Houssaye as being inferior to the rest of the painting, both in colouring and design. He examined his new acquisition carefully, and perceived, beneath the last layer of paint, lines and touches which indicated the existence of another design beneath. He called to his aid a skilled restorer: the picture was cleaned, and a few scales of the paint were carefully removed. Underneath appeared traces, not of a sketch, but of a completed work. By dint of rubbing and scraping, the inferior parts of the picture, the head, the breast, and the right hand, disappeared, to give place to others, which an enthusiastic critic declares to be of ideal beauty. The question still remains to be decided as to whether this restored picture be or be not the lost work of Michael Angelo--a riddle which will probably never receive an authoritative solution. Already there are innumerable rumours afloat respecting the artistic marvels that are nlow in preparation, either for the Uni versal Exhibition or the Salon of next year. Among these, the ' Diana surprised by Acteon,' of Jules Lefebvre, appears to hold a prominent place. This picture, one of the largest and most im portant which the gifted artist has ever undertaken, represents the goddess surrounded by her nymphs, and standing erect, her hands crossecl over her bust in a graceful attitude of alarmed and indignant modesty, while her affrighted attendants cluster about her. It is
doi:10.2307/20569159 fatcat:eopgeldowrhgteialj6nazuafi