İslâm Estetiği, Modern Estetik ve Tanzimat Sonrası Türk Şiirinin Estetik Temelle

Mehmet SAMSAKÇI
2016 Turkish Studies  
The word of work means -in the literature terminology -"literary works that reveal a poet or writer". For the last 50 years, some researchers or academis start to thing that the text is the main reality. However in the former studies, it has been agreed that literature is a part of the history of civilization and also consisered as a means to understand the history of nations and civilizations better. Literature has not been examined as a single "entity" by itself but examined and regarded as
more » ... d and regarded as the memory of nations . This means that literary texts should be reviewed not by an esthetical point of view but by a pragmatical and practical one. But as matter of fact that, the text or work is a result. Because writer's -who is producter, designer and editor and of the textthe feelings and thinkings determine the work. So all comments will be incomplete with one side, if we don't know poet's aesthetic stance and poetics. In this article, firstly we investigated İslam aesthetic which is commanded to Turkish poem more than 1000 years, and then determined the modern aesthetic, finally analised Turkish poetry's aesthetic conditions from Tanzimat (1839) to today. In other words this study investigated the basis of Islamic aesthetics that began after the adoption of Islam by Turks, that was slowly distanced from yet never totally abandoned after the 19th century, compared the concept of art defined by Islam and the modern approach, and finally examined the aesthetical condition of Turkish literature that is modern, or at least attempts to be modern.
doi:10.7827/turkishstudies.9962 fatcat:xrannao5cfge7lvvdqrkzflh3q