A Biographical Sketch of the Life of Washington Allston
Bulletin of the New England Art Union
Known as the Early Journal Content, this set of works include research articles, news, letters, and other writings published in more than 200 of the oldest leading academic journals. The works date from the mid--seventeenth to the early twentieth centuries. We encourage people to read and share the Early Journal Content openly and to tell others that this resource exists. People may post this content online or redistribute in any way for non--commercial purposes. Read more about Early Journal
... out Early Journal Content at http://about.jstor.org/participate--jstor/individuals/early-journal--content. JSTOR is a digital library of academic journals, books, and primary source objects. JSTOR helps people discover, use, and build upon a wide range of content through a powerful research and teaching platform, and preserves this content for future generations. JSTOR is part of ITHAKA, a not--for--profit organization that also includes Ithaka S+R and Portico. For more information about JSTOR, please contact firstname.lastname@example.org. '--BULLETIN OF THE NEW ENGLAND ART UNION. .5 have liked it better. The slightest mark would have been suffi cient to point out that part of the story; a part that was worth the telling, and which no one could have contrived better than Mr. Allston how to tell, without interfering with his grand idea of presenting in full lineaments the tall son of Kish. Perhaps, 'however, even this remark is hypercritical. We know that Art has always claimed to take liberties, and sometimes very large ones, with historical truth. 'We remember how the pic tures of legendary Rome pile up magnificent architecture, for an age when few buildings were better than huts; and how the French school, of half a century back, set forth the heroes of the Classical Epics, for the sake of displaying flesh tints and a knowledge of anatomy, engaged in the most sanguinary battles with an alarming scantiness of clothing of any sort. Certainly the departure from fact in the present instance is extremely inconsiderable, by the side of such examples. Indeed, it scarcely needed to be mentioned, but for the desire that one naturally feels to find complete perfection in every part of so admirable a design. The few reflections, now ventured upon, relate only to the subject'and the general treatment of Mr. Allston's picture. We leave it to some other and better trained hand, to describe the particular merits of its execution.