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This essay takes as its starting point the 2008 Royal Shakespeare Company's production of Hamlet directed by Greg Doran in order to explore the ways in which Ophelia's death and burial might be used to disturb dominant cultural codes. As such, it focuses upon the regulatory discourses framing three female subjects: the legal and religious rules governing suicide, in particular the inquest's record of the death by drowning of Katherine Hamlet in 1579; the account of Ophelia's death and herdoi:10.14198/raei.2012.25.12 fatcat:mpexpqvjincavi5ueskr522psa