Synecdoche and Allegory in the Filmic Record of the Memory of African Genocide in John le Carré'sThe Constant Gardener

Kgomotso Masemola, Pinky Makoe
2014 Journal of Literary Studies  
doi:10.1080/02564718.2014.949410 fatcat:xx33y5j76jdezbjtj33rm4ix4i