I played for my father

Margaret O'Sullivan
2019 Action, Criticism and Theory for Music Education  
In this paper the author uses creative non-fiction to story a formative life event in a reflection on how music learning was critical to her survival, self-repair and self-making. The paper centres on relationship, adolescent trauma, and critical loss, and how physical and ethereal spaces of healing can be found in the music room and in music learning and making. The potential for literary forms of scholarly inquiry to connect the personal experiences of both writer and reader is explored, as
more » ... r is explored, as deeply rooted memories invoke selfcompassion, and deepen empathy and awareness amongst music educators, teachers, and in the scholarship of music learning and making.
doi:10.22176/act18.2.190 fatcat:hdxere2zkvhu7mh4v7lmqp5stm