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In literature, all superior readers are quite familiar with the bronze sculpture called The Thinker Le Penseur by Auguste Rodin that shows a male figure sitting on a rock with his chin resting on one hand as though deep in thought and this image has loomed large as a myth, as an image, a symbol and an emblem suggestive of the immeasurable capacities of man. Similarly, a premise is being suggested here that with the advent of the 19th century writers a new age dawned in the domain of worlddoi:10.5281/zenodo.3892559 fatcat:2if3trmag5f6rnfmvxafg3xisy