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Reclaiming the Feminine Voice in American Transcendentalism
2020
Philosophy of Education
In his film Fahrenheit 119, Michael Moore provides a trenchant critique of contemporary politics in the United States, as epitomized by the election of Donald Trump as president. 1 Beginning with the unexpected defeat of Hilary Clinton in the election of 2016, the film is not simply a criticism of Trump; rather, it describes how the silenced voices of people, their frustration, their distrust of politicians-both Republican and Democrat, on the right and on the left-have contributed to the
doi:10.47925/76.1.134
fatcat:rviyv7q2lvh2vhod7zdydmz3kq