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The author reflects on the debate about the self-representation of culture in Albania after the fall of the communist regime, as well as on the choices and strategies employed in the identification and production of cultural heritage, on the basis of reports coming from Europe and then from the rest of the world. Tra i materiali etnografici relativi alla cultura popolare albanese pubblicati sull'«Archivio di etnografia» ormai oltre una decina di anni fa è presente un corpus di fotografie difatcat:24cro4tssraizcbqzhhw6yht7i