The work of Alberto Cavallone has never been properly studied by scholars. His low budget flicks had occasionally a little commercial success from 1968 ("Le salamandre") to 1978 ("Blue Movie"). They deal with controversial topics – from homosexuality (both male and female) to decolonization – and show high ambitions and the explicit influence of Pasolini, Makavejev, Bataille and Fanon. Although overlooked by critics of their times for the cheap production values and the ambiguous exploitation

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... violent and sexual images, these movies show how certain themes could reach genre cinema, where a director like Cavallone could quote and remix highbrow culture with a baffling freedom.