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The point where a dance work begins and ends is fuzzy and ambiguous, especially when we consider performance as continuing past live interactions between performers and audiences into publicity material, documentation, film and context. Experimental documentation/choreographic translation performs aspects of the choreography corporeal translations, as a series of performance writings and images. A series of ten images is preceded by a critical discussion of the choreographic processdoi:10.15663/dra.v1i1.8 fatcat:4rhh5efclfba7htfz36mlp5auq