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The aim of this study is a semiotic analysis of the Nolan's Batman series (Batman Begins/2005, The Dark Knight/2008, The Dark Knight Rises/2012). It goes over dimension of figural, space and passion in order to highlight fear as a complex, primitive and moving passion that guides characters transformation, actions and narrative construction of these three movies. Parole chiave Cinema, semiotics, visual culture, visual semiotics Sommario La paura figurale La paura come soggetto manipolatoredoi:10.12977/ocula59 fatcat:egteh5iyrnasvl57fhmrqoyv3u