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Analyzing the range of problems that arise from the correlation between the content and the form of a performance, we conclude that most of them are generated by a lack of knowledge and the wrong attitude to the theatrical methodology inherited from the great reformer of the stage - K.Stanislavsky, especially to his latest discovery - the method of active analysis. It uses the method of physical actions as a practical application tool and includes, both theoretically and practically, the wholedoi:10.2478/tco-2019-0026 fatcat:7kibp25warbqjez52w2ab2ofgi