A Protest

Dean P. Lockwood
1916 The Classical Weekly  
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more » ... out Early Journal Content at http://about.jstor.org/participate--jstor/individuals/early-journal--content. JSTOR is a digital library of academic journals, books, and primary source objects. JSTOR helps people discover, use, and build upon a wide range of content through a powerful research and teaching platform, and preserves this content for future generations. JSTOR is part of ITHAKA, a not--for--profit organization that also includes Ithaka S+R and Portico. For more information about JSTOR, please contact support@jstor.org. THE CLASSICAL WEEKLY by one girl. The answer, 'Venus had him dream all that Cupid did', came from another. The reading of a passage from Dryden, Cranch, or Conington has often brought out from students the complacent remark that they can see more in the Latin than even their betters can express in English. The reading of Dr. Holmes's First Verses, a rhymed translation of Aeneid I.124-156, rarely fails to produce a reaction in kind. Historical parallels are readily found. The ironical Ithacus of Sinon always suggests the 'Corsican'; and Cicero's remark (Manilian Law IX) about the sympathy of kings for kings recalls Louis XIV. Of all reactions, the most free and eager is the ethical. 'Nothing human is foreign' to youth. The interest in the boy Ascanius is as vivid as is the interest in the boy Richard Carvel. When, in the hunt, the young prince scorns the deer and mountain goats, inertia pecora, and prays for a foaming wild boar or a real lion, one girl appreciatively remarks, 'Pretty ambitious for a small boy', and another rejoins, 'Just like a small boy'. The pleasure in the unfolding of the character of the spy-patriot, Sinon, is acute. Aeneas, as the paternal and easy-going master of sports, is not quite approved; in the matter of the foot-race, the question, 'What would you have done about the foul?', brings various answers. Some would have had it run again with Nisus barred. Dido is generally first accused of mercenary motives, and then acquitted. These humanistic critics simply will not have the second person dederis in Aeneid 4.436. The 'meddlesomeness' of the gods is generally resented. The difficulty of passing judgment upon a hero who is fato actus is, to some extent, recognized by boys and girls. Artistic reactions to the Classics have been known from the time of the Pompeian school-boy. It was a Baltimore school-girl, who, to the familiar text-book cut, in which Aeneas leads Ascanius and carries Anchises, added, on the other shoulder, Creusa, with the legend, 'As it should have been'. Latin composition books of thirty years ago were not enlivened by illustrations. Last year, a class was illustrating by series of pictures the stories they read. Deus iuxta flumen sedet, they read; and there he sits on a rock with feet dangling. In a book bound in the art department of the School, two Vergil classes attempted about a dozen illustrations of Aeneid i-6. Among the subjects were The Safe Harbor (i. I59-I69), Celaeno's Prophecy and its Fulfillment, The Boat Race, Polyphemus, Scylla and Charybdis, Minerva, The Death of Dido. Most were original compositions and were done in ink, crayon, or water-colors. But, of all forms of reaction to the spirit of the Classics, the dramatic is, perhaps, the most delightful and not the least valuable. It is the most natural response to the human interest.
doi:10.2307/4387211 fatcat:r666cewq3bd2jfh2o3kbyetmye