London Exhibitions

Charles E. Pascoe
1877 The Art Journal (1875-1887)  
Known as the Early Journal Content, this set of works include research articles, news, letters, and other writings published in more than 200 of the oldest leading academic journals. The works date from the mid--seventeenth to the early twentieth centuries. We encourage people to read and share the Early Journal Content openly and to tell others that this resource exists. People may post this content online or redistribute in any way for non--commercial purposes. Read more about Early Journal
more » ... out Early Journal Content at JSTOR is a digital library of academic journals, books, and primary source objects. JSTOR helps people discover, use, and build upon a wide range of content through a powerful research and teaching platform, and preserves this content for future generations. JSTOR is part of ITHAKA, a not--for--profit organization that also includes Ithaka S+R and Portico. For more information about JSTOR, please contact 6o THE ART JOURNAL. lakes, between bare, bleak hills, with gleams of sunset light fleck ing the steely surface of the water. Among the landscapes also figures ' A Snow-Thaw at the Sources of the Rhone,' a wild con fusion of uprooted pines, and greenish-white water, and bluish grey rocks, half overgrown with pale-yellow lichens. Here, too; is a landscape called ' L'ftang '-a wild, lonely pool, its banks over grown with long' grasses and water-plants (the foreground is painted with a care and finish unusual to our artist), with a spec tral-looking row of trees in the horizon, above which peers a pallid moon. Two views taken in the pine-forests of Alsace show con clusively that the artist, in depicting the straight, lofty, close-serried tree-trunks of the woods in his illustrations to the 'Contes des Fees' and ' The Wandering Jew,' has drawn more on his memory than on his imagination for the actual features of the scene. Some of the drawings and aquarelles are very striking. There is a charming water-colour sketch, entitled 'Poor Children,' evi dently a reminiscence of Dore's London sojourn, representing a party of ragged urchins stealing a ride at the back of a huge dray laden with wine-casks. The little fellows are so vividly depicted, yet with so kindly'a touch, that one instinctively realises Dore's deep feeling for young children. There are some characteristic sketches in water-colour, reproducing scenes from his illustrations to Rabelais, and a small drawing entitled ' Le Gouffre,' and show ing the base of a ghastly precipice, clothed with stunted firs and
doi:10.2307/20569026 fatcat:leorr4z3zzdmrgeiyxgie22wjm