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This article analyses the concept of the parallaxical identity within architecture, and its significance in identifying a metaphysical barrier between buildings, urban fabrics, and cognitive understanding. The research focuses and expands upon Slavoj Žižek's parallax of postmodernist cultural architecture and it's "zero-institutional" role in marginalising class-struggle and incommensurability between architecture and audience. Interrogating psychoanalytical parallax and architectural conceptsdoi:10.3846/jau.2019.9296 fatcat:xhvmygqswvds3krb2adlbl2rxe