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In this article I describe John Gay and Johann Pepuschs The Beggars Opera by itself and as a model for Bertolt Brecht and Kurt Weills The Threepenny Opera and Benjamin Britten and Tyrone Guthries The Beggars Opera. There are three fundamentally unequal different versions of this spectacle, which the article shows as the cultural manifestations appealing to a broad public.doi:10.26156/om.2019.41.3.001 fatcat:4y57zzsgzfhcdkgk6nsaj6uwai