POLYASPECTNESS OF CREATIVITY OF SERHII NAIENKO
Vìsnik Nacìonalʹnoï akademìï kerìvnih kadrìv kulʹturi ì mistectv
Purpose of Research is to recreate the whole panorama of creativity of Serhii Naienko. Methodology. Application of a set of methods (analysis and synthesis, induction and deduction, chronological, art study analysis) allowed to reveal the main components of the creative way S. Naienko. Scientific novelty. For the first time, a complete panorama of performance, choreography, and pedagogical creativity of Serhii Naienko was reproduced. Conclusions. For many decades, the basis of productive
... f productive creative activity of S. Naienko was studying at the Leningrad State Choreographic School named after Agrippina Vaganova, the leading educational institution in the world for the preparation of ballet actors. The main components of Naienko's creative way in Lviv were: the performance of leading ballet parties of a wide genre range in the Lviv Opera and Ballet Theater; acquiring actor and choreographer experience in dramatic performances at the city's theaters; the formation of ballet master's skill in parallel with the performing career under the influence of domestic (G. Isupov, A. Shekera etc.) and Russian (M. Dolgushin etc.) choreography schools; production of classical ballets and original works; choreographer's quest for expanding the lexical range of performances (a combination of classical dance, modern dance elements, characteristic dance, free plastic etc.); creating a large number of dance scenes in operas; a combination of choreographer's activities with a pedagogical at the Lviv State Choreographic School, the Lviv School of Culture and Arts, at the Department of Directing and Choreography at the Ivan Franko National University of Lviv.