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The Anima Group of Puppetry Theater, directed by Tatiane Souza and Cleomir Alencar, begins an investigation in the field of the Theatre of Objects, in which I take the place as the dramaturgist, as an interlocutor of the research. Speaking, therefore, from this experience, I propose in this article to establish some reflections that touch the dramaturgy in the Theater of Objects, in dialogue mainly with conceptions and procedures used in Contemporary Dance, in a movement of trying to identify,doi:10.5965/1414573102322018197 fatcat:pdbu76kv4jfwjnasr3am5gdrxu