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This article examines the particular, recurrent and circular movementin the fantastic world of Murilo Rubião. This movement has been identifiedby Davi Arrigucci in Rubião's work in various aspects: in his infinitewriting process, in the occurrence of obsessive topics of multiplication andmetamorphosis, in the use of biblical epigraphies and in the dissolution of thehistorical time.doi:10.22456/2238-8915.30066 fatcat:6lo7sg5m7za6peej3zb7kmh35e