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Old Masters' Madonnas in "New World" Photographs: Instances and Impact of Interpictoriality in Lewis W. Hine's Photography
2016
Journal of Transnational American Studies
This article proposes to investigate the degree and manner in which American photographer Lewis W. Hine in his works of the early twentieth century drew on previous artworks originating outside the United States. Many of Lewis Hine's photographs, as the analysis of three selected case studies shows, make clear implicit and/or explicit interpictorial references. More specifically, the article focuses on the usage of the Madonna motif in selected Renaissance paintings, in photographs by
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